Worlds Apart CD Launch on April 7th at 5pm at the Canadian Music Centre

 

Centrediscs CD Launch: Worlds Apart

Friday, April 7, 2017
5:00 PM

Canadian Music Centre

 

Pianist Christina Petrowska Quilico launches her new 2 disc CD Worlds Apart at the CMC in Toronto. A short performance will follow.

$FREE with RSVP. Please RSVP here

 

Event details

  • Venue / Location: Canadian Music Centre, 20 St. Joseph St., Toronto
  • Date: April 7th, 2017
  • Time: 5:00pm
  • Price: $FREE with RSVP
  • External Link: Please RSVP here

Christina Petrowska Quilico performs works by Michel-Georges Brégent

Concerts / Brégent: Portraits romantiques (1966, version 1988 / extraits)

In the words of Michel-Georges Brégent “The link between emotions and the mathematical is not very obvious. I discovered this to be true in creating Portraits pour piano. I still needed a dramatic rise with a pianist playing as though they were simultaneously 6 pianists playing at once. At some point, I intuitively hit a ceiling… using mathematics, I managed to make this man walk one step further. I also realized that if we speak about an emotion as love, (…) in music this can be expressed mathematically… Express oneself. Express one’s freedom and subjectivity. Extract the coldness and the yoke of rationality and structural “parametric” thought where everything is subject to analysis. These Portraits for the piano draw or depict states yet to be, illustrate social situations, occupations and jobs. They are the logical result complimenting the transcendental executions of Liszt and Liapunov, and the studies of Chopin, Scriabine and Rachmaninoff.”

March 4, 2017    7:00 pm

  • Regular: $20.00
  • Senior: $15.00
  • Student: $15.00
  • Tickets: 514-843-9305 #301 (SMCQ)
Chapelle historique du Bon-Pasteur
100, rue Sherbrooke Est
métro Sherbrooke + autobus 24 Ouest / métro Saint-Laurent + autobus 55 Nord
 

Participant

Program

Coproduction MNM/ Chapelle historique du Bon-Pasteur

2017 Christina and Louis Quilico Awards Vocal Competition

 

News Release 

2017 Christina and Louis Quilico Awards Vocal Competition

Toronto – January 30, 2017 – The Ontario Arts Foundation is pleased to announce the fourth biennial Christina and Louis Quilico Awards Vocal Competition featuring the rising young stars of the Canadian Opera Company Ensemble Studio.

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Artists of the 2016/2017 Ensemble Studio, photo: Bronwen Sharp

The competition will take place on February 13, 2017 from 5:30 p.m. to 7:30 p.m. in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. The competition will be adjudicated by a panel composed of Alexander Neef, General Director of the COC, Sandra Horst, Chorus Master of the COC, and Adrianne Pieczonka, Canadian soprano opera singer. The young artists featured in the February 13th competition will perform for cash prizes singing one aria of their choice and one aria selected by the judges.

“Louis had wanted to establish this (award) before he died,” says Christina Petrowska Quilico. “It was really his vision to help young opera singers. Launching an award was something we could do to leave a legacy in memory of Louis’ success as a singer and as a support to future generations.”

 

This event is free and open to the public, with doors opening at 5 p.m. Seating will be available on a first-come, first-served basis, and is limited.

 

About the COC Ensemble Studio

The COC Ensemble Studio is Canada’s premier training program for young opera professionals. Since the inception of the program in 1980, over 220 young professional Canadian singers, opera coaches, stage directors and conductors have acquired their first major professional operatic experience through the Ensemble Studio. Former members include Ben Heppner, Isabel Bayrakdarian, John Fanning, Wendy Nielsen, Joseph Kaiser, David Pomeroy, Allyson McHardy, and Krisztina Szabó.

 

The members of the Ensemble Studio are the COC’s resident artists and important ambassadors for the company. They receive a blend of advanced study and practical experience through an individually tailored, multi-year program, involving understudying and performing mainstage roles, intensive vocal coaching, language and acting studies, and career skills development, as well as participation in masterclasses with internationally renowned opera professionals.

 

 

About the Christina and Louis Quilico Awards

Christina Petrowska-Quilico established the Christina and Louis Quilico Fund in 2000 to honour her late husband, renowned baritone, Louis Quilico, and to recognize outstanding young singers, pianists and composers for voice. During his 45 years on the stage, Louis Quilico shared performing credits with Luciano Pavarotti, Placido Domingo, José Carreras, Joan Sutherland and Renata Tebaldi. He was instrumental in furthering the careers of many young singers through his teaching and master classes. The Ontario Arts Foundation manages the endowment that funds the Christina and Louis Quilico Awards.

 

For information, please contact:

Alan Walker,

Executive Director, Ontario Arts Foundation
Tel: (416) 969-7413
awalker@arts.on.ca

Kristin McKinnon,

Publicist and Publications Coordinator, Canadian Opera Company

Tel: (416) 306-2383

kmckinnon@coc.ca

 

 

Established in 1991, the Ontario Arts Foundation (OAF) is passionately committed to building long-term support for the arts in Ontario. In 2016-2017, the OAF paid over $3.0 million in endowment income and $300,000 in awards and scholarships.

 

Based in Toronto, the Canadian Opera Company is the largest producer of opera in Canada and one of the largest in North America. The COC enjoys a loyal audience support-base and one of the highest attendance and subscription rates in North America. Under its leadership team of General Director Alexander Neef and Music Director Johannes Debus, the COC is increasingly capturing the opera world’s attention. The COC maintains its international reputation for artistic excellence and creative innovation by creating new productions within its diverse repertoire, collaborating with leading opera companies and festivals, and attracting the world’s foremost Canadian and international artists. The COC performs in its own opera house, the Four Seasons Centre for the Performing Arts, hailed internationally as one of the finest in the world. For more information on the COC, visit coc.ca.

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Ce document existe également en français.

 

 

 

 

Phil’s Review of Mozart: Sonatas and Variations for Piano and Violin

TOP_quilicoMozart: Sonatas and Variations for Piano and Violin Jacques Israelievitch, violin; Christina Petrowska Quilico, piano (Fleur de Son) http://www.a-vcoa.org/content.aspx?page_id=22&club_id=290418&module_id=131981&sl=561443509

This is Volume 1 in a series of Mozart works for piano and violin. Sadly, it must also be a memorial to the late violinist Jacques Israelievitch, who died of lung cancer last September 5th, less than two months after he and pianist Christina Petrowska Quilico completed the ambitious recording project. That the French-born Canadian violinist persisted in this endeavor in his final illness would be remarkable enough; what is amazing is that there is absolutely no evidence of infirmity in his performances, so full of the rhythms and colors of life, taut and firm, and always endowed with the warmth that Mozart requires. Petrowska Quilico proves the ideal partner for him, in recordings made in the Tribute Communities Recital Hall at York University in Toronto.

In this first volume in the series, we have a selection of Mozart‟s richest and most persuasive sonatas: K.380 in E-flat major, K.454 in B-flat major, and K.526 in A major. Chronologically, they are a study in the development of the genre, from what is basically a piano sonata with violin accompaniment to one in which the violin has clearly achieved an equal partnership. The slow movements, in particular, contain some of Mozart‟s most beautiful melodies. They are also different kinds of melodies. The Andante of K.380 has a haunting quality that is enhanced by chromatic inflections. The slow movement of K.454 is another Andante, but with more of the feeling of an Adagio, the violin now is entrusted with the prominent melody. Bold chromatic moduations add to its intriguing beauty. In K.526, the most mature sonata Mozart ever wrote, the slow movement, likewise an Andante, has an extended development, which was rare for the period. It even modulates for a while into A minor with no apparent hurry to end on the major key, traditionally the signal for the finale to begin. Mozart was evidently taken with the beguiling melody and in no haste to return to the main event. Israelievitch and Petrowska Quilico obviously enjoy the wealth of melody and the increasingly rich chromatic harmonies in these three works, so reminiscent in many ways of his writing in the operas with which they were contemporary, from Abduction from the Seraglio to The Marriage of Figaro. The joy of music making is evident in every single measure. Highly recommended. (If this CD doesn‟t win one of Canada‟s Juno Awards next April, there‟s no justice.) Phil’s review.

Pianist Christina Petrowska Quilico hosts This Is My Music

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Piano Animals III Concert on April 12th

Piano Animals III : Christina Petrowska Quilico presents Remembering Ann Southam

April 12th at 8:00 p.m.

$15 regular, $10 students/seniors/artists

Concert @ Chapelle historique du Bon-Pasteur, 100, rue Sherbrooke E, Montreal

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Ann Southam‘s hypnotic epics of thread and pattern, Glass Houses and Rivers, are the focus of the final concert of our series. Presented by the internationally acclaimed Canadian pianist Christina Petrowska Quilico, whose friendship and collaboration with Ann Southam was deeply implicated in their creation, these complex, maximinimalist works unite intricate groove with an almost ritual intensity.

Christina Petrowska Quilico needs little introduction to audiences both here and abroad. Hailed by the New York Times at 14 for her “promethean talent” after making her orchestral debut along with Murray Perahia, Christina Petrowska Quilico has appeared at Carnegie Hall, Alice Tully Hall, Lincoln Center and Merkin Hall. Juilliard-trained, she has premiered 18 piano concertos and premiered well over 150 new works. Among her 37 CD titles are eight piano concertos. 4 of her CDs received Juno nominations, and she was named one of 20 international “not to miss pianists” of 2014 by the CBC. Her recording ofGlass Houses Revisited was on CBC Music’s “TOP 30 best Canadian classical recordings ever”.

“The repetitive and pulsating music of Glass Houses is celebrated with shimmering brilliance, as much by the creator as by the interpreter… an homage and luminous musical gift from a pianist to a composer friend, and from this friend to a great contemporary mentor.” – Frédéric Cardin, espace.mu (Radio-Canada).

Piano Animals III : Christina Petrowska Quilico présente Remembering Ann Southam

12 avril 2016, 20h
régulier 15$, réduit (étudiants / ainés / artistes) 10$
concert

Les épopées hypnotiques de fils et de canevas d’Ann Southam Glass Houses et Rivers, seront la pièce maîtresse du concert final de notre série. Présentés par la pianiste canadienne Christina Petrowska Quilico dont l’amitié et la collaboration avec Ann Southam est très présente dans leur processus de création, ces oeuvres minimales et complexes mèlent les rythmiques avec une intensité quasi rituelle.

Il n’est généralement point besoin de présenter la pianiste Christina Petrowska Quilico au public canadien comme de l’étranger. Acclamée par le New York Times dès l’âge de 14 ans pour son talent prométhéen lors de ses débuts orchestraux avec Murray Perahia, Christina Petrowska Quilico s’est produite au Carnegie Hall, au Alice Tully Hall ansi qu’au Lincoln Center et au Merkin Hall. Instruite à Juilliard, elle a créé 18 concertos pour piano ainsi que plus de 150 oeuvres. Sa collection de 37 disques inclue huit concertos pour piano, et quatre de ses albums se sont vus nominés aux prix Juno. En 2014 elle a fait partie de la liste des 20 pianistes “à ne pas manquer” de Radio-Canada.

« La musique répétitive et pulsative de Glass Houses est célébrée ici avec un éclat chatoyant, tant par la créatrice que par l’interprète… une offrande musicale respectueuse et lumineuse d’une pianiste à une amie compositrice, et de cette amie à un grand mentor contemporain. » – Frédéric Cardin, espace.mu (Radio-Canada).