With Glowing Hearts TSO Concert October 2017

With Glowing Hearts TSO concert

WITH GLOWING HEARTS

This all-Canadian program—curated by renowned conductor and Canadian music champion Victor Feldbrill—explores Canada’s rich history of classical composers. Notable Canadian pianist Christina Petrowska Quilico is the featured soloist in the Romantic-style Piano Concerto by Québec composer Claude Champagne. (Pictured: Christina Petrowska Quilico, piano)

Order tickets today when you include this performance in a three-show package, from only $79! Single tickets go on sale July 2017.

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This project is funded in part by the Government of Canada. Ce projet est financé en partie par le gouvernement du Canada.

Concert Dates

Saturday, October 21, 2017 – 7:30pm

Sunday, October 22, 2017 – 3:00pm

Program

Somers: Passacaglia and Fugue [11′]
Freeman: Tableau [9′]
John Beckwith: Flower variations and wheels [12′]
Champagne: Piano Concerto [15′]
Archer: Poem for Orchestra [11′]
Weinzweig: Symphonic ode [9′]

Performers

Victor Feldbrill
conductor & host
Earl Lee
RBC Resident Conductor
Christina Petrowska Quilico
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Phil’s Review of Mozart: Sonatas and Variations for Piano and Violin

TOP_quilicoMozart: Sonatas and Variations for Piano and Violin Jacques Israelievitch, violin; Christina Petrowska Quilico, piano (Fleur de Son) http://www.a-vcoa.org/content.aspx?page_id=22&club_id=290418&module_id=131981&sl=561443509

This is Volume 1 in a series of Mozart works for piano and violin. Sadly, it must also be a memorial to the late violinist Jacques Israelievitch, who died of lung cancer last September 5th, less than two months after he and pianist Christina Petrowska Quilico completed the ambitious recording project. That the French-born Canadian violinist persisted in this endeavor in his final illness would be remarkable enough; what is amazing is that there is absolutely no evidence of infirmity in his performances, so full of the rhythms and colors of life, taut and firm, and always endowed with the warmth that Mozart requires. Petrowska Quilico proves the ideal partner for him, in recordings made in the Tribute Communities Recital Hall at York University in Toronto.

In this first volume in the series, we have a selection of Mozart‟s richest and most persuasive sonatas: K.380 in E-flat major, K.454 in B-flat major, and K.526 in A major. Chronologically, they are a study in the development of the genre, from what is basically a piano sonata with violin accompaniment to one in which the violin has clearly achieved an equal partnership. The slow movements, in particular, contain some of Mozart‟s most beautiful melodies. They are also different kinds of melodies. The Andante of K.380 has a haunting quality that is enhanced by chromatic inflections. The slow movement of K.454 is another Andante, but with more of the feeling of an Adagio, the violin now is entrusted with the prominent melody. Bold chromatic moduations add to its intriguing beauty. In K.526, the most mature sonata Mozart ever wrote, the slow movement, likewise an Andante, has an extended development, which was rare for the period. It even modulates for a while into A minor with no apparent hurry to end on the major key, traditionally the signal for the finale to begin. Mozart was evidently taken with the beguiling melody and in no haste to return to the main event. Israelievitch and Petrowska Quilico obviously enjoy the wealth of melody and the increasingly rich chromatic harmonies in these three works, so reminiscent in many ways of his writing in the operas with which they were contemporary, from Abduction from the Seraglio to The Marriage of Figaro. The joy of music making is evident in every single measure. Highly recommended. (If this CD doesn‟t win one of Canada‟s Juno Awards next April, there‟s no justice.) Phil’s review.

Pianist Christina Petrowska Quilico hosts This Is My Music

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Mozart: Sonatas & Variations for Piano & Violin, Vol. 1 / Israelievitch, Quilico

Review Vancouver

Release Date: 06/10/2016
Label:  Fleur De Son   Catalog #: 58034   Spars Code: DDD
Composer:  Wolfgang Amadeus Mozart
Performers:  Jacques Israelievitch,  Christina Petrowska Quilico
Number of Discs: 1  

Reviewer Ed Farolan

This is the last joint collaboration by the duo of pianist Christina Petrowska Quilico and the late violinist Jacques Israelievitch, the recording of Mozart’s complete catalogue of violin and piano sonatas. The first of six CDs was released June 10 on the American label Fleur de Son (FDS 58034) and distributed by Naxos.  Copies are available on iTunes (electronic) and Amazon.com (physical and digital), and through numerous other digital service providers and retailers..

Volume 1 comprises 71 minutes of late sonatas along with a set of variations. It features the sonatas in E flat, K. 380; B flat, K.454; and A, KV 526; and Six Variations on a French Song (“Hélas, j’ai perdu mon amant”), K. 360. The music from these artists was beautiful and virtuosic, dynamic on the part of Quilico and finesse from the violin sounds of Israelievitch.

Jacques Israelievitch who passed away last year of lung cancer graduated from the Paris Conservatory at 16, and was a winner at the International Paganini Competition.  He was the concertmaster for 20 years with the Toronto Symphony Orchestra and was an officer of France’s Order of Arts and Letters and a member of the Order of Canada.

Professor Quilico teaches Music at York University in Toronto. She has performed with the Toronto Symphony, TaiPei Symphony Orchestra, Winnipeg Symphony, the National Arts Orchestra, etc. Her 40 CDs include solo, chamber and orchestral works. Four of her CDs have been nominated for Junos in the Best Classical Composition Category. Her CDs include 8 Canadian piano concerti with the Toronto Symphony, Jukka Pekka Saraste, conductor, Vancouver CBC Symphony, Sir John Eliot Gardiner to name a few.

© 2016 Ed Farolan

Christina Petrowska Quilico on recording with late TSO Concertmaster Jacques Israelievitch

Christina Petrowska Quilico on recording with late TSO Concertmaster Jacques Israelievitch

National

TSO President & CEO Jeff Melanson and Principal Trumpet Andrew McCandless speak with pianist Christina Petrowska Quilico about recording with late TSO Concertmaster Jacques Israelievitch.

Listen Here

CBC Music Article on Boulez

Pianist Christina Petrowska Quilico, one of Canada’s most notable interpreters of 20th and 21st-century music has written an open letter responding to the recent death of the influential composer/conductor Pierre Boulez.

In the letter, Petrowska Quilico reflects on a few key exchanges that she shared with Boulez throughout her career. They first met in the early ’70s, and Petrowska Quilico was astonished to find that Boulez remembered a letter she’d sent him years earlier as a student — and not just the content of the letter; he also remembered her name.

She recalls that Boulez once invited her to see him conduct Wagner’s Parsifal at the Bayreuth Festival. As she was leaving the opera house, Boulez pulled up in a Mercedes, offered her a ride home, and invited her to come to a second show of Parsifal — this time seated in the orchestra pit.

Aside from being a pianist, Petrowska Quilico also has a notable career as a visual artist. She credits Boulez’s scores and compositional techniques with helping her develop not just as a musician, but also in her drawings. She repaid the favour by countering some bad press Boulez received in New York with a clever cartoon. Some of the critics in New York had called Boulez “metronomic.” Petrowska Quilico sent him a drawing of a group of metronomes, one of which was saying “Boulez is not one of us.”