• Global Sirens: A Free Concert at York University February 8
    PIANIST CHRISTINA PETROWSKA QUILICO PLAYS
    RARELY HEARD MUSIC BY WOMEN COMPOSERS
    Pianist Christina Petrowska Quilico showcases rarely heard and forgotten music by women composers from around the world in a concert titled Global Sirens,

    Thursday, February 8, 12:30-1:30 p.m.

    at the Tribute Communities Recital Hall, 112 Accolade East Building, York University
    (in front of the York University subway station).
    Admission is free.
    The concert is part of the Faculty Spotlight Series presented
    by York University’s School of the Arts, Media,
    Performance & Design, at which Quilico is a full professor.
    The concert website is
    Christina-leg-up-on-piano-by-Bo-Huang-55
    For more  information, call Judy Karacs at 416.736.2100 ext. 20054, or
    email jkaracs@yorku.ca.
    Renowned for her interpretations of contemporary and unusual repertoire, as well as the classics, Quilico describes her recital as “only a fraction of the scope and breadth of works that have been rarely played or forgotten.” The music ranges from the mid 1900s to the present, featuring composers from Canada, the U.S, Russia, South Africa, Germany, Italy, Australia and France. Traditional, impressionist, 12-tone, minimalist, folk, ragtime and romantic treasures are reflected in a kaleidoscope of musical styles. There is a composition for left hand alone, a Wireless Rag by American composer Adaline Shepherd ((1883-1950), and quirky and edgy works. “From waltzes and rags, women show their
    enormous strength and wealth of compositional creativity,” said Petrowska Quilico.
    The concert is being recorded for an upcoming CD.
    UPCOMING SOUTHAM CD LAUNCH: Later this season will see the release of
    Soundspinning, Quilico’s latest CD in her series of the music of Ann Southam, on the
    Centrediscs label.
    More information on Christina Petrowska Quilico and her recordings is available at
    www.petrowskaquilico.com and www.christinapetrowskaquilico.com.
    – 30 –
    Repertoire list available.
    For further information, contact:
    Linda Litwack or Amy Stewart Publicist
    Linda Litwack Publicity York University AMPD
    416-782-7837 416.736.2100 ext. 44044
  • Email: lalitwack@rogers.com Email: jkaracs@yorku.ca
    Pronunciation:
    Petrowska Quilico – pet-TROV-ska (e as in get) KWIL-i-koh

This all-Canadian program—curated by renowned conductor and Canadian music champion Victor Feldbrill—explores Canada’s rich history of classical composers. Notable Canadian pianist Christina Petrowska Quilico is the featured soloist in the Romantic-style Piano Concerto by Québec composer Claude Champagne. (Pictured: Christina Petrowska Quilico, piano)

Purchase tickets

Concert Dates

Saturday, October 21, 2017 – 7:30pm

Program

Nicolas Gilbert: UP!: Sesquie for Canada’s 150th [2′]
Somers: Passacaglia and Fugue [11′]
Freedman: Tableau [9′]
John Beckwith: Flower variations and wheels [12′]
Intermission
Champagne: Piano Concerto [15′]
Archer: Poem for Orchestra [11′]
Weinzweig: Symphonic ode [9′]

Performers

Victor Feldbrill
conductor & host
RBC Resident Conductor
Christina Petrowska Quilico
piano

Venue

Roy Thomson Hall

60 Simcoe St
Toronto, ON
M5J 2H5

Venue Information

Sunday, October 22, 2017 – 3:00pm

Program

Somers: Passacaglia and Fugue [11′]
Freedman: Tableau [9′]
John Beckwith: Flower variations and wheels [12′]
Intermission
Champagne: Piano Concerto [15′]
Archer: Poem for Orchestra [11′]
Weinzweig: Symphonic ode [9′]

Performers

Victor Feldbrill
conductor & host
RBC Resident Conductor
Christina Petrowska Quilico
piano

 

Original article: https://www.tso.ca/concert/glowing-hearts

 

 

 

Centrediscs CD Launch: Worlds Apart

Friday, April 7, 2017
5:00 PM

Canadian Music Centre

 

Pianist Christina Petrowska Quilico launches her new 2 disc CD Worlds Apart at the CMC in Toronto. A short performance will follow.

$FREE with RSVP. Please RSVP here

 

Event details

  • Venue / Location: Canadian Music Centre, 20 St. Joseph St., Toronto
  • Date: April 7th, 2017
  • Time: 5:00pm
  • Price: $FREE with RSVP
  • External Link: Please RSVP here

Concerts / Brégent: Portraits romantiques (1966, version 1988 / extraits)

In the words of Michel-Georges Brégent “The link between emotions and the mathematical is not very obvious. I discovered this to be true in creating Portraits pour piano. I still needed a dramatic rise with a pianist playing as though they were simultaneously 6 pianists playing at once. At some point, I intuitively hit a ceiling… using mathematics, I managed to make this man walk one step further. I also realized that if we speak about an emotion as love, (…) in music this can be expressed mathematically… Express oneself. Express one’s freedom and subjectivity. Extract the coldness and the yoke of rationality and structural “parametric” thought where everything is subject to analysis. These Portraits for the piano draw or depict states yet to be, illustrate social situations, occupations and jobs. They are the logical result complimenting the transcendental executions of Liszt and Liapunov, and the studies of Chopin, Scriabine and Rachmaninoff.”

March 4, 2017    7:00 pm

  • Regular: $20.00
  • Senior: $15.00
  • Student: $15.00
  • Tickets: 514-843-9305 #301 (SMCQ)
Chapelle historique du Bon-Pasteur
100, rue Sherbrooke Est
métro Sherbrooke + autobus 24 Ouest / métro Saint-Laurent + autobus 55 Nord
 

Participant

Program

Coproduction MNM/ Chapelle historique du Bon-Pasteur

With Glowing Hearts TSO concert

WITH GLOWING HEARTS

This all-Canadian program—curated by renowned conductor and Canadian music champion Victor Feldbrill—explores Canada’s rich history of classical composers. Notable Canadian pianist Christina Petrowska Quilico is the featured soloist in the Romantic-style Piano Concerto by Québec composer Claude Champagne. (Pictured: Christina Petrowska Quilico, piano)

Order tickets today when you include this performance in a three-show package, from only $79! Single tickets go on sale July 2017.

Logo of Canada 150

This project is funded in part by the Government of Canada. Ce projet est financé en partie par le gouvernement du Canada.

Concert Dates

Saturday, October 21, 2017 – 7:30pm

Sunday, October 22, 2017 – 3:00pm

Program

Somers: Passacaglia and Fugue [11′]
Freeman: Tableau [9′]
John Beckwith: Flower variations and wheels [12′]
Champagne: Piano Concerto [15′]
Archer: Poem for Orchestra [11′]
Weinzweig: Symphonic ode [9′]

Performers

Victor Feldbrill
conductor & host
Earl Lee
RBC Resident Conductor
Christina Petrowska Quilico
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TOP_quilicoMozart: Sonatas and Variations for Piano and Violin Jacques Israelievitch, violin; Christina Petrowska Quilico, piano (Fleur de Son) http://www.a-vcoa.org/content.aspx?page_id=22&club_id=290418&module_id=131981&sl=561443509

This is Volume 1 in a series of Mozart works for piano and violin. Sadly, it must also be a memorial to the late violinist Jacques Israelievitch, who died of lung cancer last September 5th, less than two months after he and pianist Christina Petrowska Quilico completed the ambitious recording project. That the French-born Canadian violinist persisted in this endeavor in his final illness would be remarkable enough; what is amazing is that there is absolutely no evidence of infirmity in his performances, so full of the rhythms and colors of life, taut and firm, and always endowed with the warmth that Mozart requires. Petrowska Quilico proves the ideal partner for him, in recordings made in the Tribute Communities Recital Hall at York University in Toronto.

In this first volume in the series, we have a selection of Mozart‟s richest and most persuasive sonatas: K.380 in E-flat major, K.454 in B-flat major, and K.526 in A major. Chronologically, they are a study in the development of the genre, from what is basically a piano sonata with violin accompaniment to one in which the violin has clearly achieved an equal partnership. The slow movements, in particular, contain some of Mozart‟s most beautiful melodies. They are also different kinds of melodies. The Andante of K.380 has a haunting quality that is enhanced by chromatic inflections. The slow movement of K.454 is another Andante, but with more of the feeling of an Adagio, the violin now is entrusted with the prominent melody. Bold chromatic moduations add to its intriguing beauty. In K.526, the most mature sonata Mozart ever wrote, the slow movement, likewise an Andante, has an extended development, which was rare for the period. It even modulates for a while into A minor with no apparent hurry to end on the major key, traditionally the signal for the finale to begin. Mozart was evidently taken with the beguiling melody and in no haste to return to the main event. Israelievitch and Petrowska Quilico obviously enjoy the wealth of melody and the increasingly rich chromatic harmonies in these three works, so reminiscent in many ways of his writing in the operas with which they were contemporary, from Abduction from the Seraglio to The Marriage of Figaro. The joy of music making is evident in every single measure. Highly recommended. (If this CD doesn‟t win one of Canada‟s Juno Awards next April, there‟s no justice.) Phil’s review.

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Review Vancouver

Release Date: 06/10/2016
Label:  Fleur De Son   Catalog #: 58034   Spars Code: DDD
Composer:  Wolfgang Amadeus Mozart
Performers:  Jacques Israelievitch,  Christina Petrowska Quilico
Number of Discs: 1  

Reviewer Ed Farolan

This is the last joint collaboration by the duo of pianist Christina Petrowska Quilico and the late violinist Jacques Israelievitch, the recording of Mozart’s complete catalogue of violin and piano sonatas. The first of six CDs was released June 10 on the American label Fleur de Son (FDS 58034) and distributed by Naxos.  Copies are available on iTunes (electronic) and Amazon.com (physical and digital), and through numerous other digital service providers and retailers..

Volume 1 comprises 71 minutes of late sonatas along with a set of variations. It features the sonatas in E flat, K. 380; B flat, K.454; and A, KV 526; and Six Variations on a French Song (“Hélas, j’ai perdu mon amant”), K. 360. The music from these artists was beautiful and virtuosic, dynamic on the part of Quilico and finesse from the violin sounds of Israelievitch.

Jacques Israelievitch who passed away last year of lung cancer graduated from the Paris Conservatory at 16, and was a winner at the International Paganini Competition.  He was the concertmaster for 20 years with the Toronto Symphony Orchestra and was an officer of France’s Order of Arts and Letters and a member of the Order of Canada.

Professor Quilico teaches Music at York University in Toronto. She has performed with the Toronto Symphony, TaiPei Symphony Orchestra, Winnipeg Symphony, the National Arts Orchestra, etc. Her 40 CDs include solo, chamber and orchestral works. Four of her CDs have been nominated for Junos in the Best Classical Composition Category. Her CDs include 8 Canadian piano concerti with the Toronto Symphony, Jukka Pekka Saraste, conductor, Vancouver CBC Symphony, Sir John Eliot Gardiner to name a few.

© 2016 Ed Farolan

Christina Petrowska Quilico on recording with late TSO Concertmaster Jacques Israelievitch

National

TSO President & CEO Jeff Melanson and Principal Trumpet Andrew McCandless speak with pianist Christina Petrowska Quilico about recording with late TSO Concertmaster Jacques Israelievitch.

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