Remembering Ann Southam – York University Faculty Spotlight Series
- Region: Ontario
- Venue / Location: Tribute Communities Recital Hall (Accolade East, York University), Toronto
- Time: 12:30pm
- Price: $Free
- Genre: Keyboard
- External Link: www.yorku.ca/events
- Composer: Ann Southam
- Composition: Stitches in time, Altitude lake
- Community Profile:
Christina Petrowska Quilico
Christina Petrowska Quilico commemorates the fifth anniversary of Ann Southam’s death by performing Southam’s Stitches in Time, Altitude Lake, and Where; and excerpts from Rivers and Glass Houses.
10. Ann Southam: Glass Houses
Everyone should know some Canadian classical music, and Ann Southam‘s Glass Houses, a set of solo piano pieces composed in homage to minimalist composer Philip Glass, is the perfect introduction. Southam’s style of minimalism is more intricate and ornamented than her American counterpart’s. While the music is complex, it falls easily on the ear.
Pianist Christina Petrowska-Quilico has recorded the full work and, with the composer’s permission, released a revised version in 2011.
Full CBC article: Build your classical music foundation with these 10 essential works
Christina Petrowska Quilico performs “New Twists on the Classics” in York U Faculty Concert Series
Virtuoso pianist Christina Petrowska Quilico, one of Canada’s leading interpreters of contemporary music, presents “New Twists on the Classics”, a solo recital of works by four Canadian composers that take inspiration from masterworks in the classical repertoire. This showcase performance in the Faculty Concert Series of York University’s Music Department takes place November 12 at 7:30pm in the Tribute Communities Recital Hall at York’s Keele campus.
The first half of the program features “new twists” by long-time friends and collaborators of the pianist. Fantasia on a Theme of Schumann, composed by Steven Gellman, a classmate from Petrowska Quilico’s student days at Juilliard, was inspired by Robert Schumann’s Piano Quintet in E-flat major, Op. 44. Remembering Schubert is by Ann Southam (1937-2010), one of Canada’s most prominent composers, whose musical collaboration with Petrowska Quilico spanned nearly three decades. Masks of Astarte, a piece reminiscent of Prokofiev and Bartok, was composed by Patrick Cardy (1953-2005), a former colleague of the pianist from when they both taught at Carleton University.
The second part of the program is devoted to John Rea’s Las Meninas, 21 transformal variations on Schuman’s suite for solo piano, Kinderszenen (Scenes of Childhood). Rea, a two-time winner of the Jules Léger Prize for New Chamber Music who is honoured as composer of the year in the Société de musique contemporaine du Québec’s 2015-16 Homage Series, dedicated each of the variations to an influential musical figure, from Frédéric Chopin to Phillip Glass. Like the 1656 painting by Diego Velázquez from which Rea borrowed the title, Las Meninas offers multiple perspectives and changing points of view.
Petrowska Quilico will also give a short midday recital on campus November 26 at 12:30pm to commemorate the fifth anniversary of Southam’s death. The performance, titled “Remembering Ann Southam”, will feature the composer’s Stitches in Time, Altitude Lake, Where and excerpts from Rivers and Glass Houses. Admission is free.
Both recitals will be recorded for CD.
The Southam anniversary will also be marked by the Canadian Music Centre’s re-release of two of Petrowska Quilico’s acclaimed recordings of Southam’s works – Glass Houses Revisited (2011) andGlass Houses Volume 2 (2014) – as a boxed set on the Centrediscs label. Glass Houses Revisited, which Petrowska Quilico had edited and revised with the composer’s blessing not long before her death, has become one of Centrediscs’ all-time best-sellers. Both the Globe and Mail and Toronto Staraccorded it four stars out of four, and it was named one of “30 best Canadian classical recordings ever” by CBC Music.
Christina Petrowska Quilico: Music for the Eyes and Ears offers a video introduction to the pianist’s performances of Ann Southam’s works.
One of Canada’s foremost pianists and a multiple Juno nominee, Christina Petrowska Quilico has appeared in solo recitals, chamber settings and with orchestras on four continents. Widely recognized as an innovative and adventurous artist, she is a long-time champion of contemporary and Canadian music, but is equally at home in the traditional classical repertoire. CBC Music chose her as one of “20 Can’t-Miss Classical Pianists of 2014”, placing her in a shared spotlight with some of the world’s most celebrated pianists, and in 2015 named her among “25 Greatest Canadian Pianists”. Her 37 recordings span three centuries of music, and have won accolades from critics and audiences alike. She has been a professor of piano performance and musicology at York University since 1987.
“New Twists on the Classics” is the second performance in the 2015-16 Faculty Concert Series, spotlighting faculty artists in York University’s Department of Music. Upcoming concerts will feature jazz composer and drummer Barry Elmes (Feb. 4, 2016), and composer, pianist and digital instrumentalist Michael Coghlan (Mar. 10, 2016).
What: Christina Petrowska Quilico: “New Twists on the Classics”
When: Thursday, November 12 at 7:30pm
Where: Tribute Communities Recital Hall, Accolade East Building, York University, 4700 Keele St. [Maps and Directions]
Admission: $15, students & seniors $10
Box Office: 416.736.5888 | ampd.yorku.ca/perform/boxoffice
Amy Stewart, Communications, School of the Arts, Media, Performance & Design, York University
416-650-8469 | email@example.com
“Fancies and Interludes is both a labour of love and musical declaration, intuited and played by two ingenious and accomplished musicians – former Toronto Symphony concertmaster Jacques Israelievitch and pianist Christina Petrowska Quilico. Recorded live at York University’s Tribute Communities Recital Hall, it has the immediacy and the vigour of a live performance (background sounds of pages being turned included), which makes the music come alive with the splendour of the excitement (or the sorrow) of each precious phrase as it was played in the moment…”
See the full review here.
April 18-20, 2013 | 7:30 pm
Sandra Faire and Ivan Fecan Theatre
Accolade East Building
York University, 4700 Keele St.
Inspired by the iconic ballet Le Sacre du printemps originally choreographed by Vaslav Nijinsky, to the score by Igor Stravinsky, Rite Redux features new choreography by Professors Holly Small (YDE Artistic Director), Carol Anderson, Darcey Callison, and Susan Cash. The Director of Design is Prof. William Mackwood. Costumes are by Julia Tribe. Produced by the Departments of Dance and Music in the Faculty of Fine Arts at York University.
2013 marks the 25th anniversary of the York Dance Ensemble, the resident company of York University’s Department of Dance. The YDE provides students with pre-professional experience creating, producing, performing, and touring in a company setting, and has launched the careers of scores of outstanding young Canadian dance artists. Join us as Rite Redux honours this momentous achievement!
Featuring a stellar program of performances by the 2012-13 YDE, with:
· YDE Alumni Nicole Rose Bond, Irvin Chow, Brittany Duggan, and Sky Fairchild-Waller.
· Musicians Prof. Michael Coghlan, Kim Chow-Morris, John Kruspe, and Prof. Christina Petrowska Quilico.